Tag: Olafur Eliasson

08
Feb

Olafur Eliasson: In real life

This summer, Olafur Eliasson (b. 1967) will return to Tate Modern following his world-renowned Turbine Hall installation The weather project in 2003, for an unmissable exhibition of his career to date. Marking the most comprehensive solo presentation of Eliasson’s work, and his first major survey in the UK, Olafur Eliasson: In real life will offer a timely opportunity to experience the immersive world of this endlessly inquisitive artist.

Olafur Eliasson consistently seeks to make his art relevant to society, engaging the public in memorable ways both inside and outside the gallery. Driven by his interests in perception, movement, and the interaction of people and their environments, he creates artworks which offer experiences that can be shared by visitors of all ages. Tate Modern will bring together over 30 works spanning the last three decades – from celebrated early installations like Beauty 1993, to new paintings and sculptures. For the first time, the exhibition will also examine Eliasson’s wider collaborations in fields as diverse as sustainability, migration, education and architecture, allowing viewers to explore how these projects extend his artistic practice. Each installation, or group of works, will encompass a key theme explored within Eliasson’s career. This will include his early investigations into space, motion and natural phenomena – as explored in Moss wall 1994, featuring lichen native to Eliasson’s homeland Iceland – to extensive experiments with light, colour, geometry, perception and participation that characterise his work today – such as Stardust particle 2016. Other installations like Your spiral view 2002 and Your uncertain shadow (black and white) 2010 incorporate reflections and shadows to play with the way we navigate or perceive the world. Together they reflect the artist’s core principle of ‘seeing yourself sensing’. As the works reveal the mechanisms behind their own making, we are invited to consider the physical and psychological processes that contribute to how we experience them. The exhibition will culminate with a space exploring Eliasson’s deep engagement with social and environmental issues. This includes projects such as Little Sun, first launched at Tate Modern in 2012, which provides solar-powered lamps and chargers to communities without access to electricity; Green Light – An Artistic Workshop, hosted by various institutions around the world, in which asylum seekers and refugees, together with members of the public, construct Green light lamps and take part in an accompanying educational programme; and Ice Watch, an installation, recently experienced by visitors to Tate Modern and passers-by, featuring glacial ice from Greenland which aims to inspire public action against climate change. Eliasson’s wide-ranging architectural projects will be explored here, including the recently completed Fjordenhus in Denmark. Viewers will also get behind-the-scenes insight into how Studio Olafur Eliasson works day to day and will be able to engage in collaborative making activities. Not confined to the gallery walls, Eliasson’s work will extend onto the terrace outside Tate Modern, while further installations such as Room for one colour 1997 will animate the concourse outside the galleries. For the duration of the exhibition Studio Olafur Eliasson will also collaborate with Tate Eats on a special menu for Tate Modern’s Terrace Bar. This will be based on organic, vegetarian and ethically sourced produce that is central to the Studio’s own kitchen in Berlin, where studio members eat family-style meals together every day.Continue Reading..

06
Ott

Olafur Eliasson. Reality machines

His works are in dialogue with ecology, architecture and urban spaces, but also with philosophy and science. The show present Eliasson’s unusually expansive artistic output, letting his installations fill both museum buildings.
Curator: Matilda Olof-Ors

On 3 October, 2015, Moderna Museet and ArkDes, the Center of Architecture and Design open their extensive exhibition on Olafur Eliasson, one of the most influential contemporary artists today. Although Eliasson’s work has been exhibited all over the world, this is the first time his oeuvre has been featured in a major museum presentation in Stockholm. Eliasson explores the spaces in which we dwell, with works ranging from unassuming sculptures to larger architectonic structures. Olafur Eliasson’s works are in dialogue with ecology, architecture and urban spaces, but also with philosophy and science. Thus, it is only natural for the neighbouring institutions Moderna Museet and ArkDes to present Eliasson’s unusually expansive artistic output, letting his installations fill both museum buildings.

“I strongly believe that it isn’t necessary to polarise the fields of art and architecture. Rather, it’s about trying to transgress the traditional boundaries to create a space of inclusion and hospitality, where differences of opinion are not only tolerated but encouraged. When you enter my exhibition, you do not step out of the city of Stockholm and into the protected world of art, but continue the processes of negotiation and co-production that characterise our shared reality.”
Olafur Eliasson

Olafur Eliasson (born 1967, Iceland/Denmark) is based in Copenhagen and Berlin, where Studio Olafur Eliasson employs some 90 staff members. Eliasson’s practice encompasses sculpture, painting, photography, film, installations, architectural projects and site-specific works in public spaces.
The exhibition Olafur Eliasson: Verklighetsmaskiner/Reality machines spans his entire career so far, from the early 1990s to today. Perception is central to the art of Olafur Eliasson. The works draw our attention not only to what we see, but to how we see, or, in the artist’s own words: “seeing yourself seeing”.

“Olafur Eliasson shifts our focus from the art object itself to the actual experience of seeing. His installations are optical instruments that make us see the world around us in different ways. The works become machines that produce new realities,” says Matilda Olof-Ors, exhibition curator.Continue Reading..