I Castelli nell’Ora Blu , è la prima mostra personale a Milano dell’artista, creatore teatrale e autore Jan Fabre, curata da Melania Rossi.
In mostra una selezione di lavori – in gran parte in anteprima assoluta perché provenienti dalla collezione dell’artista, e messi ora a disposizione del pubblico- realizzati da Jan Fabre dalla fine degli anni Ottanta, incentrati su due temi particolarmente significativi per l’artista: i castelli e l’Ora Blu. Disegni, collage, film e opere fotografiche compongono un percorso nell’immaginario più “romantico” e poetico, ma sempre radicale e simbolico, di uno degli artisti più interessanti della scena contemporanea.
Se il castello è il luogo della favola romantica per eccellenza, i castelli di Jan Fabre hanno qualcosa di diverso, sono infusi del personale romanticismo dell’artista, che si definisce “cavaliere della disperazione e guerriero della bellezza”.
La tonalità dell’inchiostro Bic ricorda all’artista l’atmosfera di quell’ora speciale tra la notte e il giorno, tra il sonno e la veglia, tra la vita e la morte. L’Ora Blu, teorizzata da Jean Henri Fabre, considerato il padre dell’entomologia, è un momento di totale silenzio e perfetta simmetria in natura, quando gli animali notturni si stanno per addormentare e quelli diurni si stanno svegliando, in cui i processi di metamorfosi hanno atto.
Anche nei grandi formati in mostra, l’attenzione si concentra naturalmente su piccole porzioni di disegno per seguirne le linee ora più lievi, ora più marcate, oppure trova un immaginario punto di fuga negli insetti-foglia applicati sulla carta, che formano profili di torri castellane. Come di fronte al grande telo in seta di quasi diciassette metri (Un Castello nel Cielo per René, 1987) che è esposto all’interno della Basilica di Sant’Eustorgio, al cospetto della scultura nella Cappella Portinari o nell’opera site specific che l’artista ha realizzato sul lucernario di BUILDING, siamo dentro il disegno, che diviene spazio, casa, castello.
Jan Fabre: The Castles in the Hour Blue
a cura di Melania Rossi
22 Sep 2018 – 22 Dec 2018
Via Monte di Pietà 23, Milano
Mar – Sab, 10:00 – 19:00
Basilica di Sant’Eustorgio e Cappella Portinari
P.zza Sant’Eustorgio 1, 20122 Milano
Lun – Dom, 10:00 – 17:30
Ingresso Capella Portinari: €6
BUILDING is pleased to present The Castles in the Hour Blue, the first solo exhibition ever held in Milan of the visual artist and theatrical author Jan Fabre. The exhibition, curated by Melania Rossi, will open to the public on 22 September, with site specific installations at BUILDING; it will also feature ad hoc installations in two institutional places of the city of Milan, such as the Basilica of Sant’Eustorgio and the Portinari Chapel.
On view will be a “world premiere” selection of artworks – for the main part, never seen before since part of the artist’s collection, now available to the public for the very first time – made by Jan Fabre since the late Eighties, focused on two themes which are particularly important to the master: castles and the Hour Blue. Drawings, collages, videos and photographic works bring together a journey in the most “romantic” and poetic – but always radical and symbolic – imagery of one of the most important artists on the contemporary scene. The aesthetic and ethical fusion of the two themes in the conception of Jan Fabre, declared in the title of the show, is evident in the exhibited artworks, starting from Tivoli(1990), one of the works that consecrated the artistic career of Jan Fabre at an international level. In this case, Fabre had completely covered the Tivoli castle (Mechelen) in sheets all drawn in blue Bic, which had been left transforming under the sun light and bad weather. A real architectural performance that the artist had been recording during day and night, releasing a 35 mm short movie that will be on view at the gallery. “Sometimes the castle has a purple reflection, sometimes more towards the red, then a silvery glow, to then turn into intense blue bic again. (The sculpture-drawing trembles and lives with its enigmas)”, Fabre writes in his nocturnal diary during the realization of the work.
The tone of the Bic ink reminds the artist of the atmosphere of that special hour between night and day, between sleep and awakening, between life and death. The Hour Blue, a sublime moment of complete silence and perfect symmetry in nature, when nocturnal animals are about to fall asleep and the diurnal ones are waking up, in which the processes of metamorphosis take place. Theorized by Jean-Henri Fabre, considered the father of entomology, the Hour Blue has inspired Jan Fabre a production of Bic pen drawings of different sizes, but it is mostly in the large works that the eye is completely immersed in the dense blue lines, where it is difficult – if not impossible – to embrace the work in its entirety. The drawing, in this production by Fabre, acquires a dignity which is not only autonomous but also three- dimensional, becoming sculpture, architecture; it is not a mere preparation for a painting or a draft sketch for a sculpture, it is an immersive artwork that reveals the most intimate, true and instinctive feeling of the artist’s thought. On this idea Jan Fabre has been working since his beginnings, since the birth of his “bic art”. “I want my viewers to be able to abandon themselves to the physical experience of drowning in the apparently calm sea of my blue bic drawings”, the artist writes in 1988. Even in the large formats on display, the attention is naturally captured by small portions of drawing in order to follow the lines, now subtler, now more marked, or it finds an imaginary point of escape in the leaf-insects applied on the paper, which form profiles of castle towers. As in front of the large silk installation displayed inside the Basilica of Sant’Eustorgio, in presence of the sculptures in the Portinari Chapel or in front of the site specific work that the artist will make at BUILDING, we are inside the drawing, which becomes space, house, castle. If the castle is the place of the romantic fairytale par excellence, Jan Fabre’s castles have something different, they are infused with the personal romanticism of the artist, who defines himself “a knight of despair and a warrior of beauty”. The first aim, the only creed of the artist, is to defend the beauty and fragility of art. Jan Fabre is a contemporary knight who makes castles in the air, castles of cards, rests in his castle and dreams. Tivoli, Wolfskerke, Monopoli, are the castles on which the artist has taken action with his blue sign and which are represented in the artworks on display, covered in the typical light of that special moment in which we can dream of owning a castle, still being in a chivalrous era made of values for which to fight strenuously. The “way of the sword” is “the way of the art”, the true avant-garde of the artist who, while dreaming, draws, writes and invents a personal universe starting from the great tradition that precedes him. Fabre fights to the point of exhaustion in defense of the most authentic, tragic, mad and heroic spirit of the artist and of the man.
Basilica of Sant’Eustorgio and Portinari Chapel
Mon – Sun, 10:00 AM – 5:30 PM
Entrance to Portinari Chapel: €6
P.zza Sant’Eustorgio 1, 20122 Milan
Jan Fabre: The Castles in the Hour Blue
Curated by Melania Rossi
Tue – Sat, 10 AM – 7 PM
Basilica of Sant’Eustorgio